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(Wide VGA) panel, but look at the
price — something had to give. Even
so, you can connect a multitude of
sources through the rear-panel VGA
and BNC jacks and access them
quickly with the supplied remote con-
trol. But you’ll need a separate audio
playback system, as there’s no onboard
amplification.
Sampo’s PME-42V3 ($7,995) ap-
pears to be a no-frills, bare-bones
panel at first glance. But it’s got a few
things under the hood, including a full
rack of input connections. In addition
to professional-type BNC jacks for
component video and RGB signals,
you also get a DVI connector. Although
there is no onboard audio reinforce-
ment, you can use the panel as an
audio-follow switcher and control vol-
ume through the supplied remote. The
panel’s native resolution is 852x480
pixels, or Wide VGA.
Sony’s PFM-42B1 ($7,999) is the
plasma that stirred up the market
last fall. Introduced as a low-cost 42in.
design with 1024x1024 pixel resolu-
tion, this panel has turned market
pricing on its ear (see the Fujitsu
above). It’s another bare-bones design,
with a pair of 15-pin VGA jacks and
composite/S-Video inputs, but no on-
board audio. However, like the PME-
42V3, you can loop audio feeds in and
out for volume control from the sup-
plied baton remote.
Panasonic’s TH-50PHD3U
($14,995) is the big brother of last
year’s best-in-review TH-42PWD3
panel, and boasts 1365x768 (Wide
XGA) pixel resolution. It’s a full-bore
professional/home theater 50in. de-
sign, with BNC and 15-pin jacks for
every possible component video and
RGB signal (but no DVI). Want
onboard audio? You can have two
channels of it at 8W per channel, or
loop your audio sources and control
them with the supplied remote.
Pioneer’s PDP-503CMX ($17,999)
appears to be identical to its predeces-
sor, the PDP-502MX. But there are a
lot of changes in this 1280x768 (Wide
XGA) 50in. panel, and the most im-
portant is a slot for aftermarket video/
RGB/digital interfacing. Slide in the
Pioneer accessory videocard, and
you’ve got compatibility with all kinds
of RGB and video signals — even DVI.
There’s a stereo (2W per channel)
onboard audio amplifier, and full
video/audio follow switching is avail-
able from the supplied remote.
NEC’s PS-61MP1 ($27,995) is the
first of the really big plasma panels to
hit the market (look for Samsung and
LG/Zenith to follow suit shortly), but
it’s manufactured on the same fabri-
cation line used for NEC’s 50in. pan-
els. This 61in. panel also has the same
resolution as its 50in. brother,
1365x768 (Wide XGA), and you get a
full complement of RCA, DIN, BNC,
VGA, and DVI jacks for hookup. Au-
dio feeds can be run through the
panel’s 7W stereo amplifier, or looped
through to an external system. All
functions are accessible from the sup-
plied baton remote.
Menus and remotes
Although many plasma panels ap-
pear the same outwardly, their inner
workings vary considerably. For ex-
ample, some manufacturers provide
sequential input selection, a feature I
have never understood and quite
frankly detest. Why make the end-
user sequence through a series of in-
puts over and over to change from a
DVD source to a computer signal?
Fortunately, only two panels in this
review (Sampo and Panasonic) use
sequential input selection. Everyone
else provides direct access to any in-
put at any time.
While the Panasonic sequence only
involves three possible inputs (com-
ponent, RGB, and composite), the
Sampo sequence is particularly vex-
ing. You must step through BNC RGB,
RGB (15-pin input), DVI, AV (compos-
ite video), S-Video, and then YPbPr
for DTV (or YCbCr for interlaced com-
ponent sources). What’s worse, it takes
about two seconds for the panel to
select the next input and check to see
if a signal is really there.
Menus also vary widely among pan-
els. The best menus that provided a
combination of fast navigation, menu
placement, and readability were found
on the NEC, Panasonic, and Sony pan-
els. NEC’s menu appears as a small
box in the upper left corner, while the
Panasonic menu pops up as a small
box in the upper right of the screen.
Sony’s menu is simple, keyed white
text and covers a good portion of the
screen, but doesn’t obscure as much of
the image as the Fujitsu pulldown
menu, which is a large, tiled affair
with crude-looking text. While Sony’s
menu is fast, it has too many hidden
submenus. This is also a problem with
the Panasonic at times.
You also must remember to push
Model Dimensions Weight
Panel Aspect
Resolution Input signals
Internal
MSRP
size ratio audio
Fujitsu PDS-4229 40.7" x 25.2" x 3.3" 62.8 lbs. 42" 16:9 852x480 PDP NTSC/PAL, VGA, none $6,999
SVGA, XGA, DTV/HDTV
Sampo PME-42V3 41.3" x 26" x 5" 79.4 lbs. 42" 16:9 852x480 PDP NTSC/PAL, VGA, SVGA, none $7,995
XGA, SXGA, DTV/HDTV
Sony PFM-42B1 40.7" x 25" x 3.3" 65.5 lbs. 42" 16:9 1024x1024 PDP NTSC/PAL, VGA, external $7,999
SVGA, XGA, SXGA, DTV/HDTV
Panasonic TH-50PHD3U 47.6" x 28.5" x 3.9" 99.2 lbs. 50" 16:9 1366x768 PDP NTSC/PAL, VGA, SVGA, XGA, 8W stereo $14,995
SXGA, UXGA, DTV/HDTV
Pioneer PDP-503CMX 48" x 28" x 4" 88 lbs. 50" 16:9 1280X768 PDP NTSC/PAL, VGA, SVGA, XGA, 2W stereo $17,999
SXGA, UXGA, DTV/HDTV
NEC PS-61MP1 58.3" x 35" x 4.7" 134.5 lbs. 61" 16:9 1365x768 PDP NTSC/PAL, VGA, SVGA, XGA, 7W stereo $27,995
SXGA, UXGA, DTV/HDTV
Model specifications
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